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An Inspired Chat with Emphasiz of University of Texas

We’re looking forward to introducing you to Emphasiz. Check out our conversation below.

Emphasiz, we’re thrilled to have you with us today. Before we jump into your intro and the heart of the interview, let’s start with a bit of an ice breaker: What makes you lose track of time—and find yourself again?
When I’m making beats or mixing a song, time dissolves. It’s like stepping into a different dimension where every sound has a story, every silence has weight. Each track I work on feels like its own living thing—raw, unpredictable, full of potential. I get to sculpt it, decide what shines and what fades, what hits and what haunts. That process pulls me in completely. I’m constantly experimenting, learning new techniques, chasing textures I haven’t heard before. It’s not just about making music—it’s about rediscovering parts of myself in the process. That’s where I feel most present, most alive. That’s where I find me.

Can you briefly introduce yourself and share what makes you or your brand unique?
My name is EMPHASIZ, a creative force that blends streetwear, sound design, and outsider philosophy. I make music that hits like a memory and visuals that feel like symbols. My work lives at the intersection of adrenaline and introspection—gritty but intentional, raw but refined. Whether I’m crafting a beat, designing merch, or negotiating a live show, I approach it all with the same mindset: discipline, originality, and legacy.

Right now, I’m rolling out my new EP Diamond Cutz, building a content ecosystem around it, and launching a merch drop. I’m also offering creative services to other artists and brands who want to build something real. Everything I do is about helping people reconnect—with rhythm, with meaning, with themselves.

Thanks for sharing that. Would love to go back in time and hear about how your past might have impacted who you are today. Who were you before the world told you who you had to be?
I like to believe I’m still that same person—before the noise, before the name. I’ve evolved, sure, but my core hasn’t shifted. My morals, my character, my imagination—they’re intact. The whole point of my music is to reject the mold, to remind people they don’t have to shrink to fit. I still speak my mind. I still laugh the same. I still dream in color and stand on what I believe, even when it’s not popular.

What’s changed is my awareness. I used to think love was mirrored—that if I gave it, I’d get it back. Now I know better. But that lesson didn’t harden me—it sharpened me. I move with more intention now, but I’m still me. Always have been.

What did suffering teach you that success never could?
Suffering taught me patience—and how to keep moving when nothing’s going my way. If everything I touched turned to gold, I’d never have learned how to navigate the dark. Setbacks gave me tools success never could: resilience, perspective, and the ability to adapt under pressure. I’d rather be equipped for the downside than be blindsided by it because I never had to face it. Pain sharpened my instincts. It taught me how to sit with discomfort, how to rebuild, how to stay grounded when the highs come. Success might celebrate you, but suffering shapes you.

I think our readers would appreciate hearing more about your values and what you think matters in life and career, etc. So our next question is along those lines. Is the public version of you the real you?
I’d say it’s about 50/50. I’m not faking anything—I don’t wear masks or play roles. What you see is real, but it’s not the whole picture. In public, I move with more restraint. Not because I’m hiding, but because I like to keep my head on a swivel and not get consumed by the noise around me. It’s a form of self-preservation.

In private, I’m more open, more raw. Right now, I’ve got two real friends who hear just about every thought that crosses my mind—uncut, unfiltered. That inner circle gets the full version. The public gets the version that’s still me, just with the volume turned down a notch. I will say I am working toward be myself 100%, unapologetically.

Thank you so much for all of your openness so far. Maybe we can close with a future oriented question. If you knew you had 10 years left, what would you stop doing immediately?
I’d stop doubting myself—on sight. That hesitation, that second-guessing, it’s been a weight I’ve carried for too long. I work on it daily, but if I knew the clock was ticking, I’d drop it cold. No more overthinking. No more shrinking. If I’ve only got 10 years, then every move has to count. I’ve got too much to say, too much to build, too much to leave behind. Doubt doesn’t get to ride shotgun anymore. Matter of fact, it’s out the car. Today.

Contact Info:

Image Credits
English Foxxx
Manny T.
J. Godwin

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