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Meet James Hagen of All Over Austin!

Today we’d like to introduce you to James Hagen

Hi James, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
Photography wasn’t something I set out to pursue—it found me. Growing up, I took photography classes and enjoyed capturing moments, but at the time, it was just a hobby. I never imagined it would turn into something greater.

That all changed when I worked as a Digital Imaging Lead at Best Buy in Wisconsin. I was put in charge of launching a high-end camera department, which led to an unforgettable trip to Colorado Springs for training. We each received a camera, not just to sell but to truly experience. I further immersed myself in photography, teaching classes to customers and colleagues. What started as a job quickly became a passion—I had found my calling.

Wanting to broaden my skills and try something new, I set my sights on concert photography. I reached out to every venue I could find in Madison, WI, hoping someone would take a chance on me. Finally, one did. My first official gig? Shooting Walker Hayes—before he skyrocketed to fame. That one opportunity led to countless others, giving me the chance to capture unforgettable performances from behind the lens.

When the pandemic hit, my partner and I decided it was time for a change. We left the bitter cold of the Midwest and moved to Austin, TX—the Live Music Capital of the World. Just like before, I started knocking on doors, sending messages, and putting myself out there. My persistence paid off when Heard (now Resound) Presents gave me a shot. Since then, I’ve been photographing artists across Austin’s thriving music scene, from legendary acts like T-Pain and Ashanti to rising stars like Urban Heat. One of my biggest highlights has been photographing SXSW, capturing the energy of one of the most exciting festivals in the world.

What drives me isn’t just the music—it’s the energy, the raw emotion, the story behind every artist and every performance. My goal is to take this passion even further, whether by working directly with musicians, touring, or becoming a house photographer.

Every show, every photo, every connection pushes me forward. My journey is far from over, and I can’t wait to see where the next opportunity takes me.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Smooth? Not in the slightest! I can’t even count the number of emails and DMs I’ve sent just trying to get a chance. From being left on read to making soft plans that fall through or getting lost in some generic inbox—it’s been a constant grind. At times, it’s disheartening, but I channel that into motivation, pushing myself to improve and learn more. Never giving up.

The competition in Austin is fierce; this city is home to so many extraordinarily talented photographers. Yet, I’m genuinely grateful to be in the photo pit with them, learning and growing more with every show.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I am a professional concert photographer capturing the raw energy of live music from the photo pit, mosh pit, backstage, and throughout the venue. Live music is more than just sound—it’s a powerful, immersive experience, and I strive to translate that into my photography.

I’m known for a style that stays true to the realities of a live performance while adding an ethereal touch. My goal is to create images that make you feel like you’re there, reliving the show through your own perspective. Every concert is a story, and I aim to capture it in a way that lets the viewer become part of the moment.

One of my proudest achievements is simply putting myself out there. I struggle with severe social anxiety, yet being in a crowd, surrounded by people united by music, brings me solace. The fact that I’ve pushed past my fears to pursue this passion is something I hold close.

What sets me apart is my ability to bring the concert experience to those who may never have the chance to attend. I don’t just take pictures; I create a vision that mirrors the emotion, movement, and connection of a live show. Whether it’s for the artist, the fans, or those discovering new music from afar, my work is all about bringing people into their version of the moment.

In terms of your work and the industry, what are some of the changes you are expecting to see over the next five to ten years?
The concert photography industry, like many creative fields, is in an interesting and somewhat precarious position. With advancements in AI and digital media, many areas of photography are evolving rapidly. However, I believe concert photography is one of the safer niches because it thrives on capturing real moments—something AI or automated systems simply can’t replicate.

Over the next decade, I expect live music to remain largely unchanged at its core. There may be innovations in how concerts are experienced, such as immersive broadcasts or AI-generated visuals, but nothing will replace the raw energy of being there in person. And as long as live performances exist, there will always be a need for photographers to preserve those fleeting, unrepeatable moments.

There’s something deeply personal about concert photography—it’s not just about taking a picture, but about freezing a feeling, a rush of emotion, a connection between the artist and the audience. No matter how much technology evolves, that human touch is irreplaceable.

Contact Info:

Image Credits
All photos taken by myself, James Hagen.

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